Autry
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艾玛·希金斯
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Women Talking breakout star Kate Hallett and Ragnarok star Herman Tømmeraas have nabbed lead roles in the teen thriller Sweetness from director Emma Higgins.Hallet will play Rylee Baker, a 16-year-old who has a chance encounter with her idol, pop star Payton Adler (Tømmeraas), whom she soon discovers is a dysfunctional drug addict. Rylee decides to help Payton, only to see her...
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史蒂夫·麦奎因
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《黑豹 Black Panther》的Letitia Wright及《星球大战 Star Wars》新三部曲演员John Boyega加盟BBC剧《细斧 Small Axe》,这部剧已获Amazon购下美国点播权。 这部6集剧会讲述5个不同的故事,背景设置在60-80年代的伦敦西印度社区。剧集标题来自牙买加谚语「If you are the big tree, we are the small axe.」,意指即使是微弱的异议声,仍然可以挑战强权一方。 其余演员包括Malachi Kirby﹑Shaun Parkes﹑Rochenda Sandall﹑Alex Jennings 及Jack Lowden。
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凯文·刘易斯
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The pic follows a desperate couple, who have pulled off a string of high-end break-ins to pay off a mob debt. When they attempt to rob their latest victim, they find themselves caught in a deadly game of cat and mouse where the tables are turned and the hunters become the hunted.
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丹尼尔·奥特伊
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Jean Monier is a disillusioned lawyer, appointed to defend Nicolas Milik, a man accused of murdering his wife.While everything points to his guilt, Monier takes up the case, convinced of his innocence.As his investigations kept him back to the night of the murder and the family dynamics, he also gets closer to his client, adding to the pressure to defend him.What is such an ...
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巴里·索南菲尔德
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一位是作风矫健、机智幽默的联邦特工威斯特(威尔·史密斯 Will Smith 饰),一位是爱耍聪明的易容大师高登(凯文·克莱恩 Kevin Kline 饰),这两个看似一山不容二虎的狠角色却被总统同时召见了,原因是授命他们一同追捕一名神秘毒辣的科学家连环杀手。威斯特和高登只好在摩擦碰撞中培养默契,竟然很快成为一对绝配拍档。经过调查,两人发现原来幕后黑手竟然是曾经的天才博士勒弗里斯(肯尼思·布拉纳 Kenneth Branagh 饰),他因在一次实验中失去双腿,只好永久呆在轮椅上,然而残缺的个性与对社会的怨恨让他开始到处作乱,甚至发明了一架巨型的蜘蛛机器滥杀无辜,并企图谋杀总统,统治美国。危机迫在眉睫,威斯特和高登分头来到新奥尔良,驾驶着一列布满机关的火车迎战蜘蛛博士,一场古怪武器间的斗智斗勇已悄然展开……
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Ian Barber
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Sister Boniface probes a deadly incident after a TV actress falls to her death during a tampered stunt on the show "Foxman".
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John Baumgartner
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Jacob takes a job at an isolated lighthouse, hoping to reconnect with a childhood friend. As strange events unfold, he grapples with reality, anxiety, and fractured memories while finding romance and an unexpected bond with the owner.
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Maurice Hübner
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Die Handlung macht einen Zeitsprung von 14 Jahren und zeigt die Familie Schöllack, die mittlerweile mit drei Generationen in der Wohnung über ihrer Tanzschule lebt. Während sich die Matriarchin Caterina weiterhin in das Leben ihrer Töchter einmischt, führt die älteste Tochter Helga die Tanzschule und kommt dem Zahnarzt Hannes näher. Monika konzentriert sich auf die Tanzkarriere ihrer Tochter Dorli. Währenddessen kehrt Eva nach 14 Jahren aus dem Gefängnis zurück, und es fällt ihr schwer, wieder einen Platz im Leben zu finden. Die Familie wird von Linda Müller begleitet, die für einen Fernsehsender eine Dokumentation über das Traditionsunternehmen „Galant“ drehen möchte.
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Claudia Lonow
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Tillie, a floundering young woman and her charismatic, alcoholic father, struggle to resolve their fractured relationship in the weirdest possible way: after he dies, his ghost appears in mirrors to haunt everyone in the family but Tillie. Tillie’s family must do everything they can to make Tillie see her father or else they will be plagued by this ghost forever.
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迈克尔·珊农
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Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.






























